翻訳と辞書
Words near each other
・ The Hour of Temptation
・ The Hour of the Dragon
・ The Hour of the Furnaces
・ The Hour of the Gate
・ The Hour of the Pig
・ The Hour of the Star
・ The Hour of the Wolf
・ The Hour of Truth
・ The Hour of Two Lights
・ The Hour That Never Was
・ The Hour We Knew Nothing of Each Other
・ The Hourglass Sanatorium
・ The Hourly Radio
・ The Hours
・ The Hours (band)
The Hours (engraving)
・ The Hours (film)
・ The Hours (novel)
・ The Hours (soundtrack)
・ The Hours and Times
・ The Hours of Joanna I of Castile
・ The Hours of Love
・ The Hours that Remain
・ The Hours... Tour
・ The House
・ The House (1975 film)
・ The House (1983 film)
・ The House (1997 film)
・ The House (1999 film)
・ The House (2013 film)


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The Hours (engraving) : ウィキペディア英語版
The Hours (engraving)

''The Hours'' is a stipple engraving by a master of the technique, Francesco Bartolozzi (1725-1815), published on April 4, 1788, from the print shop of Thomas Macklin, at No. 39 Fleet Street, London. The print is based upon a painting by Maria Cosway (1760-1838). The dancing hours, or nymphs of Greek mythology, were a pictorial representation of the poem "Ode on the Spring" by British poet Thomas Gray (1716-1771). The poem begins:
"Lo! where the rosy-bosomed Hours,
Fair Venus' train, appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat,
Responsive to the cuckoo's note,
The untaught harmony of spring:
While, whisp'ring pleasure as they fly,
Cool Zephyrs thro' the clear blue sky
Their gathered fragrance fling."

Maria Cosway sent a copy of the engraving to Jacques-Louis David (1748-1825), a highly influential French painter, who stated, "on ne peut pas faire une poesie plus ingenieuse et plus naturelle." ("One couldn't make poetry more ingenious and more natural.")
== The Stippling Technique ==

The stippling technique involved the etching, usually on a copper plate, of stipple dots to form an image. The process was tedious; many thousands of these dots were required to form an image of this quality. After the copper plate was etched, it was then used to make a number of prints by the usual intaglio method. The number depended upon how well the plate held up during the printing process, which abraded the plate slightly with each use. The earlier prints, therefore, were of better quality than the later ones. At some point the plate became so abraded that it was no longer usable.
The printing and coloring (hand washing) of each engraving was difficult, and required the hand of an artist. For that reason, many of these old original prints were inked by the master himself.
Stippling is used to excellent effect in representing transparent materials in the filmy gowns and gossamer wings of the nymphs.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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